excellent stuff. this was made precisely for me i would follow natasha lyonne anywhere she wanted. chloe sevigny and the musical theatre episodes were particular standouts. rian johnson and natasha please do something together again

strange little trip with a dark sense of humor but the showrunners sure can pull a plot string

intriguing investigation into how the system will resist change as long as it can, carried by all-around solid performances, especially by fanny louise bernth—some of the most tension from a netflix series in recent memory

this is the kid of show and writing that comes once in a generation. michaela coel is a transcendental genius and we are so lucky to have her

a worthy precursor to fleabag. not quite as sharp, but twice as raunchy

can't believe a netflix series made me unearth my religious trauma midnight mass is a terrifyingly thoughtful examination into the trauma of blind faith and devout religion, and most of all the justification of human violence in the name of faith. it's well-acted enough, mostly carried by hamish l

i feel this would've been far more believable and enjoyable if it came out in 2006. in 2023 it just feels rather dated, even with the substantial suspension of disbelief, and if we're honest 'the terminal' already did it better. still, it's a sweet enough watch if you don't want to think too deeply

compelling and well-acted enough nordic noir that i can almost forgive the policeman / charity worker romance

it's the performances thar really make this show. tight pacing as per usual deom kdramas in the crime genre, aided by its international cast and sociopolitical setting. on tbe whole, it delivers on its promises.

not quite as tightly woven as its first season but i appreciate how expansive and far-reaching this entire second outing was, especially after accomplishing the feat that season one was. i'd be happy to be with nadia and alan through any number of train rides and retcons, no matter what the conseque

andor has been an unexpectedly incredible ride— a nuanced tale of late-stage fascism and how ordinary people become unstoppable forces, and one of my favorite shows in a year of really good tv

episode 7 was excellent fucking television more tense than any horror movie